Timothy's Blog

Timothy's blog on dulcimers, music, nature and life!

Hammered dulcimer hovering

 20170628 promo2There are a lot of stances for playing the hammered dulcimer: Some folks prefer to sit down behind a very vertical instrument (easy to reach all the strings); some like to stand and reach down to a level dulcimer (great efficiency because of gravity’s help); some stand and use the typical moderately slanted setup (a compromise between the two above), reaching from a stationary position to use mostly shoulders and elbows for aiming the hammers.

I am, though, a hoverer. I prefer to stand for that reason, though it’s possible to hover while sitting. (When seated, however, my way of playing requires some strenuous action at the small of my back.) Rather than stand upright and let my hands and arms do all the work, I love to use my whole body, transferring energy from even as far as my calves and thighs to swing force into the hammers, sort of dancing the vector forces at all sorts of angles into the vibration of the strings. For my temperament, at least, this seems to create the greatest possibility of expressive range and emotional coloring.

Hovering allows for me to maintain about the same distance from the action, no matter the octave or key I’m working in. The exploding resonance is always blossoming directly into my face, and I get a personal thrill from that impact that keeps me phrasing the music on into the future with animation and dynamism.

Hovering is also good for one’s health: I never get tired from standing up or sitting still for a long time, because I bring my whole body into play at every juncture, exercising all muscles and nerves, walking in place and bouncing around. My music can never make me bored or put me to sleep!

I think, though, that I may be a bit more hunched in my posture than others --- but that’s something I need to work on anyway. Hovering probably isn’t the cause of that.

As I mentioned in my post on body language, I think it’s possible to get just as much dynamism and coloring from any general body language style --- but in my own case I have definitely experienced a greater expressive capability and a longer stamina through this approach.

Besides, this dance is more entertaining to my audiences! Try it.

Classical music V b: Handel and Bach!
Classical music VI: The Classical Period

Comments

 
No comments made yet. Be the first to submit a comment

Please Note: This site uses cookies and similar technologies.

Browser settings can be adjusted to control cookies. Failure to make adjustments constitutes your agreement to their usage. Learn more

I understand

Information about Cookies

A cookie is a small piece of data (usually a text file) that a website asks your browser to store on your computer or mobile device. It enables the website to remember your actions and preferences (such as login, language, font size and other display preferences) over a period of time, so you don’t have to keep re-entering them whenever you come back to the site or browse from one page to another. Most browsers support cookies, but users can set their browsers to decline them and can delete them whenever they like. Cookies can be used to collect and store user data while connected to provide you with requested services. More information about cookies can be found at http://www.aboutcookies.org.

In addition to cookies that remember your preferences mentioned above, cookies are used for the purpose of purchasing items off this website, and for login and user profile details should you provide them by creating an account or signing up for the blog posts or newsletter.

Third party cookies are also used on this site. Specifically, Google Analytics is used on this site -- a popular web analytics service provided by Google, Inc. Google Analytics uses cookies to help us analyze how users use this site. It counts the number of visitors and tells us things about their behavior overall – such as the typical length of stay on the site or the average number of pages a user views.

The information generated by the cookie about your use of our website (including your IP address) will be transmitted to and stored by Google on servers in the United States. Google will use this information for the purpose of evaluating your use of our website, compiling reports on website activity and providing other services relating to website activity and internet usage.

Google may also transfer this information to third parties where required to do so by law, or where such third parties process the information on Google's behalf. Google undertakes not to associate your IP address with any other data held by Google.

If you have Adobe Flash installed on your computer (most computers do) and utilize audio or video players, Google Analytics will try to store some additional data on your computer. This data is known as a Local Shared Object or Flash cookie. This helps us to analyze the popularity of our media files.

Finally, this website makes use of Google Maps. Google Maps is used to provide locations for Timothy Seaman's performances. In clicking on a performance location, you can allow or deny Google Maps knowledge of your location for purposes of getting directions from your location to the event site.

You can control and/or delete cookies as you wish – for details, see aboutcookies.org. You can delete all cookies that are already on your computer and you can set most browsers to prevent them from being placed. If you do this, however, you may have to manually adjust some preferences every time you visit a site and some services and functionalities may not work.

Your failure to control and/or delete cookies for this site constitutes your acceptance of cookies as outlined above.