Timothy's Blog

Timothy's blog on dulcimers, music, nature and life!
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A spontaneous 'Shenandoah' on hammered dulcimer

In 1996 I set about recording the classic folk tune ‘Shenandoah’ in a special, new, expressive way with something of a sense of the epic in its flow.  So I chose to devise a pattern in which each verse would be in a different key and each new key would be either a major or minor third away from the previous one --- a somewhat startling and unconventional kind of key change!  

On top of that, I wanted to jump to each new key immediately at the end of each verse without playing the verse’s last note --- at least till the very end of the whole piece.

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My composition 'Preservation' on solo hammered dulcimer, separated-hands style

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Playing in an ensemble

Playing in an ensemble

Although nowadays I play solo most of the time, I love to join with other musicians in ensembles when I can, and have a series of different groups planned throughout the rest of this year: church worship team, acoustic duets, trios, quartets, even an Old-Time/Celtic sextet!  If you play with other musicians, you need to make many decisions about how each player’s role fits into the overall picture.

I as an improviser tend to look for ways I can come up with special countermelodies and textural enhancements --- as well as creative, meaningful interpretations of the melody when it’s my turn to play lead, or improvisational breaks when called for.

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