Timothy's Blog

Timothy's blog on dulcimers, music, nature and life!
AUG
10

Playing without a plan can be great

Playing without a plan can be great

Are you a musician who is tied to the page?  Do you need to have notes printed in front of you in order to play?  Or do you have to depend on a carefully rehearsed repertoire?  Do you require a chord chart so you know the right harmonic structure?  Or are distinct melodies your only option when you play?

Here's an example of how totally 'out of the blue' playing can be beneficial:

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24809 Hits
JUL
31

Crossing thresholds

Crossing thresholds

Often when musicians are practicing a new technique or working toward mastering a passage, we find ourselves coming up against the proverbial brick wall:  It sure looks like we’re working in vain!  Yet a few more earnest runs through the series of movements of our hands, and we still seem to be making no progress….

Maybe it’s time to give up…. We’ll never get this one to the way it’s supposed to be….

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22999 Hits
JUL
03

Playing to the audience --- or in your own private world

Playing to the audience --- or in your own private world

I’ve noticed that when I’m performing in front of an audience, particularly in a concert setting, there are two different modes of operation between which I fluctuate during the course of a set.  For those of you who are public performers or who are considering entering that amazing world, perhaps these will be useful concepts:

When I play some pieces, especially upbeat ones, such as my zany version of “Soldier’s Joy” or my original composition “Sycamore Rapids,” I find myself playing to the listeners --- intending to communicate the excitement of the music from myself to them.  Notice I’m not trying to merely play a tune or arrangement, or demonstrate what I can do, but rather I’m forming the perspective in my mind that I’m right there with those other people and I am sharing my own experience with them in an active and assertive way.  (And yes, I’m basically an introvert, so I find that this keeps me from getting too self-conscious --- it’s not an extroverted behavior but in reality a coping mechanism!)  With a meaningful and lively spoken introduction, I set the stage for this approach, and the audience usually gets the message easily.

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24013 Hits
JUN
27

Choosing a hammered dulcimer of your own

Choosing a hammered dulcimer of your own

It can be quite a challenge to choose your own instrument, because there are so many factors to consider in order to get what you’ll be happiest with, especially if you have particular goals and dreams for your own playing.  Then again, if you really want to play an instrument, almost anything will do just to get started!

For the hammered dulcimer, my main instrument these days, I recommend that people try out lots of them.  Craigslist or eBay can actually be a problem if you don't really know the different builders, because the builders and the instruments are all so different in sound quality and general quality. 

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160295 Hits
JUN
13

Phrasing for drama and meaning

Phrasing for drama and meaning

[By the way, in the photo I'm playing my tune "Big Meadows Twilight" in the twilight at Big Meadows, Shenandoah National Park in 2000 --- photo by our daughter Karen.]

There are many approaches a musician can take toward a melody and arrangement:  Perhaps your choice today is choosing a genre to play it in, for example doing a reel as Old-Time vs. Bluegrass vs. Celtic; or perhaps you need to decide whether you’re playing toward an audience, or playing as if closed into your own little world and the audience just gets to listen in; or perhaps you need to figure out if you just want to play a beautiful tune as beautifully as you can, or if you want to communicate some additional meaning through it.  These and many other decisions come into play as we face the performance of a particular piece of music.

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