Do you know what the letters ‘SATB’ mean?
That’s the shorthand for the common choir and hymnal arrangements in which there are four parts for the four ranges: soprano, alto, tenor, and bass.
...Do you know what the letters ‘SATB’ mean?
That’s the shorthand for the common choir and hymnal arrangements in which there are four parts for the four ranges: soprano, alto, tenor, and bass.
...This is the first of a series of entries I plan to make in which I give a little historic information about our fifteen CD projects since 1994.
In 1978 I had the exciting experience of making a professional studio album in Nashville together with Hallett Hullinger and my wife Ro --- getting down for LP and cassette tape the music Hallett had written for our trio Springs of Joy. I contributed my vocal harmonies and flute improvisations, and Monty Matthews did excellent production. The recording engineer was Travis Turk. This introduction to authentic recording was a thrilling ‘eureka moment’ that colored all the rest of my ensuing life.
...If you’re a musician, do you keep in mind the whole length of the piece you’re playing? At the beginning, do you see ahead to the end and work with every phrase as a part of the journey toward that ending?
When I listen to a symphony or a piano concerto, my subconscious mind seeks to follow along on that trip, and the performers who speak to me the most are the ones who seem to be tapping into that overall arch.
...[photo: Serkin & Szell]
One of the ultimate forms in the Classical genre is the piano concerto, to which I have listened for my entire life with keen interest and involvement. As a hammered dulcimer player, I find particular inspiration in the great concertos, and I try to somehow transmute that mode to my playing with other musicians, even though it’s in a vastly different setting. (Or is it?)
...
In the middle of the Eighteenth Century a new phenomenon arose in serious music: the ‘sonata form,’ in which a melodic theme was introduced, then developed, then recapitulated, then brought to a special conclusion, all done over a significant amount of time. This differed from earlier ‘folk tune’ or ‘fugal’ approaches to musical structure.
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